The initial roll-out of my latest solo acoustic studio album is exclusively for members of my Patreon-style Community-Supported Art program, or CSA, which you are most welcome to join at davidrovics.com/subscribe. But for listeners to my podcast, here's an album tour.
In these troubled times, around the world people seem to be asking each other, how do we fight back against this madness? In May, 1919 in Winnipeg, the working class answered this question by shutting down the city and running it themselves.
How should independent musicians survive in the streaming age? There seems to be mostly a lot of hopelessness, along with a few dead-end ideas. I have another idea: demand streaming justice. Fight back against the vulture capitalists of Stockholm. How did we get to this point? Here are my two cents.
Spotify is not single-handedly responsible for my relatively impoverished financial state as a working musician. But it is certainly one of the most prominent reasons for it.
I am, it might reasonably be said, a climate refugee – though a very comfortable one. Escaping the forest fires to run a little cafe in Denmark is hardly a sacrifice. But if the cafe might be a good retirement plan for me, it won't be for my children – far too soon, the whole country in which Cafe Hellebaek is located will likely be underwater.